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Milan's runways embrace Chinese heritage as designers rework brocade

Milan's runways embrace Chinese heritage as designers rework brocade
Culture · 2026
Photo · Tomas Horak for European Pulse
By Tomas Horak Culture & Lifestyle Oct 7, 2026 4 min read

Milan Fashion Week has long been a barometer for global trends, but this season the spotlight turned eastward as Chinese designers brought a fresh perspective to the Italian runways. Two labels, ZHONGFANG.LIJIN and CHEN.1988, presented collections that explore the intersection of heritage and modernity, offering a nuanced take on what Chinese fashion can be.

Brocade Reborn: A dialogue with centuries of craft

ZHONGFANG.LIJIN, founded by textile engineer He Rong, unveiled its spring/summer 2027 collection, "Brocade Reborn," at Milan Fashion Week. The collection draws on "Jin Mai" (锦脉), a term that evokes the living veins of brocade—both the warp and weft of the fabric and the continuity of a tradition that evolves with each generation.

He Rong, a veteran of the fashion industry with over two decades of experience, has built his practice around silk and intricately woven brocades. His work explores how these traditional textiles can find relevance in contemporary design. In "Brocade Reborn," nature takes center stage: mulberry leaves, silkworms curled in their cocoons, and butterflies emerge as flowing lines, tactile textures, and sculptural silhouettes. Pleats, intricate motifs, and layered details transform brocade into a distinctly modern wardrobe.

The color palette is deeply rooted in Chinese culture, with hues like Tianshui Bi (water and sky), Taoyao (peach blossom pink), Mihe (honey), Yuebai (moonlight white), and Dailan (deep indigo). Together, they draw on Eastern aesthetics and the philosophy of the five elements, Wu Xing.

The Milan presentation, supported by Haining China Home Textile City, marked He Rong's debut in the city. It was more than a showcase of craftsmanship; it placed traditional Chinese textile techniques within the international fashion conversation, demonstrating how heritage can be reworked for a contemporary runway.

CHEN.1988: Fashion for everyday life

Following ZHONGFANG.LIJIN, CHEN.1988 presented its "Insieme con Amore" collection at Castello Sforzesco, celebrating a decade of the brand's creative journey. Founded in 2016 by designers Chen Long and Fu Zhichen, both affiliated with the Jiangxi Institute of Fashion Technology, the label focuses on the way clothes are worn today.

The collection experiments with asymmetrical cuts, fluid draping, pleats, and a mix of materials including suede, corduroy, and checks. Fitted silhouettes are balanced by looser, more relaxed shapes, while a restrained palette of black, grey, beige, and burgundy is enlivened with flashes of green and navy. Menswear and unisex pieces are central, reflecting a fluid approach to gender categories.

This philosophy is encapsulated in the brand's "Daily Attitude" concept, which brings fashion into the rhythm of everyday life. Rather than reserving clothes for special occasions, the collection offers versatile pieces that serve as a canvas for personal style. Chen Long's 2025 China Fashion Designer "Golden Top Award"—one of the country's most prestigious honors—underscores the brand's growing influence.

A new language for Chinese fashion

The two collections approach Chinese fashion from different angles: one draws on the richness of traditional brocade and silk, the other on the modern wardrobe's fluidity. Yet both share a common ambition: to move Chinese fashion forward without turning away from its roots, while refusing to let heritage define its entire identity.

Milan has become a stage for Chinese designers to show more than traditional craftsmanship. Their collections demonstrate how heritage techniques can be reworked, reshaped, and woven into contemporary fashion while remaining connected to their origins. As the fashion world increasingly looks to diverse voices, these presentations signal a broader shift in the industry's center of gravity.

For those interested in how other designers are blending tradition with innovation, Brunello Cucinelli's recent show in Tashkent offers a parallel example of cultural exchange. And as sustainability becomes a key concern, Spain's Ecoalf is tackling the challenge from a different angle, turning ocean plastic into fashion.

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